“He tried to be shy with me,” said Mrs. Phillips, “but I wouldn’t let him. I chipped him out of it. If he’s going to write plays, as I told him, he will have to get over his fear of a petticoat.” “I know an old actress,” he continued. “She’s the mother of four. They are all on the stage and they’ve all made their mark. The youngest was born in her dressing-room, just after the curtain had fallen. She was playing the Nurse to your mother’s Juliet. She is still the best Nurse that I know. ‘Jack’s always worrying me to chuck it and devote myself to the children,’ she confided to me one evening, while she was waiting for her cue. ‘But, as I tell him, I’m more helpful to them being with them half the day alive than all the day dead.’ That’s an anecdote worth remembering, when your time comes. If God gives woman a drum he doesn’t mean man to take it away from her. She hasn’t got to be playing it for twenty-four hours a day. I’d like you to have seen your mother’s Cordelia.”!

“Dear old boy,” he said. He was watching her with a little smile. “I’m glad he’s got some luck at last.” She promised that she would. She always felt curiously at home with the Greysons.

Mrs. Phillips was running a Convalescent Home in Folkestone, he told her; and had even made a speech. Hilda was doing relief work among the ruined villages of France. Mary’s work was finished. She sat upright in her straight-backed chair before the table, her eyes half closed. It seemed so odd to see those little work-worn hands idle upon her lap. It was the first time he had risen since his appointment, and he was received with general cheers. He stood out curiously youthful against the background of grey-haired and bald-headed men behind him; and there was youth also in his clear, ringing voice that not even the vault-like atmosphere of that shadowless chamber could altogether rob of its vitality. He spoke simply and good-humouredly, without any attempt at rhetoric, relying chiefly upon a crescendo of telling facts that gradually, as he proceeded, roused the House to that tense stillness that comes to it when it begins to think.